As my birth month opens, I look back over the things I made this year. I document my creative output as a reminder to myself and others that creativity is our birthright. It feels necessary—even urgent—to keep making things, even in the worst of times. Especially in the worst of times.
Writing
Writing simmered on the back burner this year: only three blog posts, a few poems and a few stories. I am forever grateful to my small but mighty writing group. We encourage each other to keep writing.
Sewing
Sewing has taken a turn from the useful to the useless: Expressive creations that I hesitate to call art but instead designate as decorative hangings and soft sculpture. But I made plenty of usable and practical things too.
I love making bags and pouches and cases and baskets. Containers for laptap computers, bridge supplies, tarot decks, binoculars, and goodies (the fabric baskets held Easter chocolates).









Lillian’s pillow
The scrap bags and remnant sales at Smoking Lily keep me supplied with interesting fabric scraps. Here, the kissing hummingbirds feature on a pillow I made for my friend, Lillian.

Spring apron


Fascination with felt
My interest in felt continues. Felt birds were still on my mind this year: an owl and a hen were born. Also some fish and a candle for Hanukkah.




Snake trails quilt
My big project was a quilt for my youngest son. I don’t often make quilts to a pattern (I usually design them myself), but here, I followed Denise Schmidt’s versatile “Snake Trails,” using orange and blue. These complementary colours (my son’s idea) really make the quilt sing. I struggled mightily over the curves, and it’s far from perfect, but overall, I was pleased with the result. According to an old story, sleeping under a snake trail quilt will keep you safe.


Over ten years ago, another son asked for orange and blue. So beautiful together! I am a better quilter now.

Ten thousand sorrows
I felt compelled to match the 10,000 Joys wall hanging I made the previous year with its counterpart—10,000 Sorrows. It hangs across from Joys under the skylight. Denim, linen, Japanese cotton, felt, buttons, thread. I’m not completely happy with it, but that’s dukkha for you.



The Red Coat
I bought a blood-red coat made from boiled wool from a Women in Need thrift store. I tried to wear it, but every time I put it on, I felt uncomfortable, as if I’d been transported back to the eighties. So, I started to cut it to pieces. First, I made two hanging heart mobiles for my sisters’ birthdays. At Triple Spiral in Fan Tan Alley, I found bells to anchor these swaying hearts.



Then I made another hanging, this one called The Mere Idea of You because that lyric from the Nat King Cole song, The Very Thought of You, was lodged in my mind as I made it. The mirrors made me think of a beloved person looking into a mirror…. and seeing their beloved qualities reflected back at them. At the urging of my friend, Dawn, I entered this one in the Saanich Fair and won second prize in some obscure category of needlework. That felt good!
Self Portrait
A body double, a female soft sculpture: I made this piece through a process of intuiting what felt right. I didn’t really plan it; I envisioned it into being. The self-portrait came together in a series of experiments. A basket, a triangle, a cornucopia, zipping up the body bag. A forest. A canvas. Essential qualities. Love. Protection. Life’s red thread. Blood running out. Each year a gem. It’s a self-portrait.
The downward pointing triangle is an iconic female image (pelvis). The zipper equals (restricted) access to hidden inner life. At the opening of the cornucopia are several special objects, laid across a red surface (that red coat again), surrounded, cushioned by soft black fur.
- A mirror for self-reflection
- A comb for discernment
- A tadpole for change
- A labradorite for inner light
- A scorpio for my astrological sign
Surrounding this inner sanctum is a protective screen of wildflowers, dried poppy heads, lavender, grasses.
Wrapped around the body basket is a red cord threading through 68 pennants, each a scrap sewed from the old red coat. Each of these little shapes (squares, rectangles, triangles) is embellished with a button or charm and represents one year of my life. The cord dangles down into a tangled heap below: Death. But there’s room on the cord, if needed, for more little red shapes. We’ll see…
I filmed it swaying between the trees behind our house, my feet crunching on the autumn leaves. This strange sculpture now hangs in our bedroom. It feels eerily like a body double. And a barometer to measure how I am feeling. Some days I loathe it and wonder what ridiculous idea led me to make it. Other days, I admire it. Most days, I just acknowledge it as a familiar.




Paper Caper
This year, I collaged cards and made other things with paper, like zines and origami boxes. These activities led me to a vision of people sitting around a table doing paper crafts. I pitched the idea to a local neighbourhood house. Thus, Paper Caper came into being: six Thursday afternoons making stuff with paper. I contributed my paper stash, and the organization gave me money to buy glue and scissors. We’re having fun, and I’ve invited a couple of guest crafters to show us how to make things.









As a new year begins for me on November 1, I am thinking of some things I long to learn and make: I want to learn to crochet, draw more comics, and self-stage an art exhibit with Dawn and Michael. I would like to make more soft sculptures, but our house is small. There’s nowhere to put them!
Hope you keep making whatever it is you love to make: pasta, music, paintings, photos, poems, love, dances, novels, cakes, a beautiful life. As Maxine Hong Kingston wrote, “In a time of destruction, create something.”


































































































